How to Write a Journal Article (in 6 Steps): Step 3 — The Literature Review

Okay, so, you’ve identified a journal to target with an article submission, analyzed a model article, and written the provisional conclusion to your article — now it’s time for step 3, writing your literature review. Literature reviews are an easy thing to malign, as they seem simultaneously pedestrian and Herculean. How can you possibly cite all of the relevant literature? And how can you make a literature review anything more than an uninteresting list of ‘necessary’ citations?

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Before I address those questions, it’s important to point out that a solid literature review does a lot of work for you as an anonymous author; a good literature review can allay many reviewer concerns and make a ‘revise and resubmit’ into an ‘accept with revisions.’ If you can position your work in its relevant fields — which are presumably fields relevant to the journal you’ve selected — even if there are problems with your presentation of evidence, the thoroughness of your analysis, or the structure of the manuscript, it should be obvious to the reviewers and the editor that there’s significant merit in your scholarship. Which is all to say that a solid literature review makes evident that you know the field and that your work is worth a reviewer’s time, even if the article isn’t in tip-top shape.

So there are two rules moving forward: write what you know, and keep it short. With those in mind, let’s talk about structure first:

In many respects, what you’re doing is duplicating content from your conclusion — at least in terms of citations. And you’ll be following a similar model, in that you’ll start by addressing literature in the subfield or geographic area of interest, and then shift registers into more theoretical territory. All told, your literature review should probably be between 3-5 paragraphs long, and usually only 3-4 paragraphs (if it gets too long, it either comes across as too anxious or too grad-studenty). I don’t think there’s a real prescription on which order these paragraphs should come in, but they should be organically arranged, and move your reader from your introduction into your cases — so it often makes sense to review topical or geographically-similar literature as the last paragraph (which I’ll explain more shortly).

Paragraph 1 starts with relevant literature in your subfield. Who are the people most immediately related to your topic? You should have already considered who these people are in writing your conclusion, but now’s the time to name them and to put them into direct conversation with your concerns. And, in so doing, what you’ll also be pointing out is how your work is different from theirs. So, for example, if I’m writing about sleep for a medical anthropology journal, this is the paragraph about how other people have approached sleep within anthropology and related fields.

Paragraph 2 then start to scale up and position your article in more theoretical literature, often most closely related to your field. So, following my example, this might be the paragraph about medicalization or some other medical-anthropology related concern. It should show your reader that you know the relevant theoretical literature in your field, as well as an awareness of the debates in the field and how you’re adding to them.

Then, paragraph 3 moves to the even more macro level in thinking about the theoretical aspects of your argument. So, continuing my example, this might be about subjectivity or temporality or whatever — something that’s of more general interest to readers in your discipline. Again, it should make evident to your reader that you have a clear sense of the debates and leading figures in the field, and these people may or may not be reflected elsewhere in your literature review.

Paragraph 4 scales down to regional literature, as a way to segue into your empirical evidence. But, if you’re writing for an area studies journal, you’ll probably flip the subfield and regional paragraphs (so 1 & 4 can be flipped). It’s important for this last paragraph to serve as a transition for your audience because it’s often the last or second-to-last paragraph before your case presentation begins — so keep that in mind as you structure them for your audience. If it’s for a subfield journal, this paragraph often includes things like: ‘when medical anthropologists study [context X] they focus on things like [phenomena A, B & C].’ And then you say something like: ‘Rarely do scholars focus on [your topic], and doing so shows that [reiterate thesis].’ If you’re writing for a regional journal, and this is your first paragraph, it tends to follow the same format, although it often starts with ‘Scholars of [context X] have highlighted the importance of [phenomena A, B & C].’ Which is followed by something like, ‘By focusing on [your topic] we see how concerns about [phenomena A, B or C] is complicated by [your approach].’

Bear in mind that your article manuscript will probably be sent to one or more people that you mention in your literature review. If an editor is looking for peer reviewers for you and they don’t know specialists in your field or who work on your topic or in your geographical area, it’s standard practice to look at someone’s bibliography and pick reviewers through citations. It’s not going to be the biggest names in the field, so it’s likely to be the people who work in your topical area, and probably more junior people (who agree to do things like peer review articles). Given that, it’s important to be even handed in your literature review — don’t pick any fights, unless you’re ready to pursue them.

Let’s get back to my two rules, mentioned above: write what you know and keep it short. A short, 6,000-8,000 word article manuscript, probably has room for 25-30 bibliographic entries. Most of these are going to be listed in your literature review and introduction. That means — doing simple math — that you’re citing about 8 people in each of the paragraphs listed above.

You might be tempted to spend a week of your life identifying recent scholarship relevant to your literature review — but don’t. You won’t get dinged for not knowing something published in the last 24 months (even by the person who wrote it, most likely), but you will get funny looks for avoiding to mention key texts published within the last 5-10 years. You should be familiar with this older stuff, and it might have even been the basis for your qualifying exams. So, write what you know and don’t worry about what you don’t know — if there’s something really critical, your reviewers or the editor will point it out to you. And, plus, you’ll have time to freshen up on your reading while the article is out for review…

And, as I’ve suggested throughout, keep it short. Four paragraphs is plenty long enough, and 25-30 citations is going to cover most of your bases. Try and write your literature review in a day. Maybe there will be a couple missing citations, but you should be able to regurgitate key citations and their respective summaries pretty quickly — it’s only about 700 words, after all. You can always go back and add more later, once you work through the whole manuscript. (I’ve come to believe that there should be no citation surprises: if you’re going to cite someone in your conclusion, cite them in the literature review too.)

There are exceptions to this generic form — like arguments against the literature, where the whole article is a deep rehearsal of the literature and its problems as based on your research — but the exceptions are generally for later in one’s career, when you’re ready to make enemies and defend yourself… And you have a reputation that allows you to make such grand claims.

Back to where I started: hopefully a literature review no longer feels like a Herculean task. It should be short, and it should be based on what you already know. Now, as far as not being dull? That’s a more difficult thing to gauge. It’s okay if it’s a little boring, because it’s relatively short and readers are ready to be bored for a page or two. But if you’re putting the literature together in compelling ways — generally in asking questions of a topic or set of theories that have yet to be asked (which can be as simple as focusing on a topic that hasn’t been attended to closely) — then you should have a highly readable and maybe even exciting literature review. It takes time, so plan on your first few literature reviews being a little more on the ‘necessary’ and a little less on the exciting side of things.

The next step? Your evidence.

How to Write a Journal Article (in 6 Steps): Step 2 — The Conclusion

After you’ve analyzed a model article from the journal you’re targeting, it’s time to write a conclusion to your own article. If that sounds crazy, bear with me.

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Often, in my experience and in those I’ve talked with about article writing, it seems that people write in a fairly linear fashion — that is, they have some empirical material they want to work with, and so they plop it into a document and then set about writing an introduction for the article. Then they write the literature review, work through their material, and write a conclusion. The result of this is often that the conclusions that get written are very narrowly focused and the introductions are vapid — too many generalities in both. This is probably due to people not really having a sense of what the article is about when they draft their introduction, and so they tend not to say terribly much; and when it comes to the conclusion, you’ve spent so much time working through the material that you can’t see the forest for the trees.

Tackling a conclusion at the outset can give you a clear sense of your intended audience and the material you plan to cover in the article. So, in the most flat footed way, you might consider starting with a ‘In this article, I have argued that [insert argument here].’ And follow that with a ‘In order to make these claims, I have drawn upon my research on [insert data umbrella] to elucidate how [phenomenon X] operates in [situation A].’ Then give summaries of the evidentiary cases you’ve presented. Briefly overview them with an eye toward summarizing them and how they relate to your argument. Taken together, this should be about a paragraph or two — not much more than a page of double-spaced text.

What follows from that should be 2-3 paragraphs on the contribution that you’re making to the journal’s field of inquiry. I find it useful to think very practically about the scholars in the field who might be interested in the case. Consider a person or set of people as the focus for each of these paragraphs and answer for them why they should find the case generative to think through. And it can work well to scale up, so start with the most immediate, empirical body of literature and move up to more theoretical concerns.

For the first of these paragraphs, consider: who else is working on the same topic or in the same geographical area as you? What does your evidence help to show that extends the conversation about the topic or the field? This can be a good place to consider how your case is exceptional — that is, are people talking about what you’re talking about or not? If not, what does including your area of interest do to the subfield or study of a geographical place? If people are writing about what you’re writing about, how does your set of cases extend the conversation in new ways or point out previously overlooked factors? (This might take a couple of paragraphs if you’re contributing to both a subfield and a regional interest, but be sure to separate them — at least at this point — into discrete paragraphs.)

The succeeding paragraphs should extend your contributions to more abstract fields. Given your contributions to your subfield and geographic area, what are the more widespread debates you’re entering into? These debates shouldn’t be wholly divorced from interests in your subfield and geographic area, but should grow out of them, although they might be novel or surprising because your case is exceptional and points in new directions for future scholarship.

So, for example, if I’m writing about sleep for a medical anthropology journal, my first of these paragraphs might identify existing literature about sleep in anthropology and the social sciences, and what looking at this literature does from the perspective of medical anthropology. Then, I might write a paragraph that’s more focused on medical anthropology: what does focusing on sleep do to existing theories of medicalization, illness narratives, embodiment, etc.? And then, building out from there, I might write a paragraph about a more macro-level theoretical concept, say biopolitics, subjectivity, phenomenology, neoliberalism, etc. It’s possible to address many topics in your conclusion, but not so many that you try and address everything. Pick a few that are immediately relevant to the mission of the journal and focus your efforts there.

Generally, the last paragraphs of conclusions are the most far-reaching in their intent, often making suggestions about how your case and the insights it provides might affect the discipline more generally. If you’re following the suggestions so far, this is the culmination of your other contributions, and might be a distillation of them all and their potential, collective impact. So, extending my example, what does focusing on sleep in American society potentially do for anthropologists who aren’t interested in sleep or the U.S.? I always find this the hardest paragraph to write, in part because it depends on imagining a reader who is fairly alien to me. But if you can make your work relevant to that person — someone fundamentally disinterested in your case — then you have a pretty successful argument.

This should be a clarifying exercise. By the end of it, you should have a good sense of the content of the article (in terms of the evidentiary cases you’ll be using), as well as the sets of literature that you’ll be contributing to with your scholarship. In the past, when I’ve taken this approach — often with just the germ of an article in mind — it’s immensely helpful in identifying which journal I might send something to: based on the kinds of evidence, the imagined readers, and the overall contribution, I get a sense of whether or not I’m writing a long, highly detailed piece aimed at the discipline, or a short, targeted piece aimed at a particular subfield. (I know this contradicts my ‘analyze a model’ first step, but once you’ve analyzed a bunch of models from different journals, you can often start with a writing exercise like this one, and then move back to picking the right journal.)

Once you have your conclusion drafted, it’s time to move on to your literature review, which you should have already begun to think about by way of writing your conclusion. You can read about Step 3 here.

The Mysterious Teaching Statement, Part 1

This is the first of a two part series on teaching statements. In this entry, I focus on my own expectations as a reader of teaching statements; in a future installment, I’ll present similar expectations from colleagues at other institutions.

My general sense of teaching statements as part of the job application process is that they’re principally used to separate the wheat from the chaff — that is, they’re used to disqualify job seekers on the basis of having little or no actual teaching experience, which can often be seen in teaching statements that include phrases like: ‘I embrace the Socratic method’ or ‘I believe that research papers are important in every class.’ Those are clear red flags that the author of the statement has spent little or no time in a university classroom, and might not be the best person for the job.

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That all being said, I do think there are some key things to cover in a teaching statement, and they are (in no particular order): 1) how you would approach teaching a ‘service’ course, 2) the curriculum that you bring with you (including courses on the books that you’re prepared to teach), 3) examples of your actual classroom practice, and 4) your approach to research or mentoring experiences. I don’t think they necessarily need to appear in that order — it should be organic in its presentation — but as a reader, that’s the stuff I would want to see.

So, to explicate a bit:

Service classes are things like Intro to Your Discipline, Methods, Theory, and maybe Intro to Your Area or Subfield. Every department offers these classes, and they’re often the staples of the curriculum. Seeing that a job applicant has taken the time to think about their approach to one of these classes shows that the applicant has thought about one of the likely courses they’ll be facing in the short term; it also serves as a good way to see what makes a job applicant characteristic in their thought. For example (and please forgive the italics):

I’m committed to teaching Anthropological Theory, which, as I teach it, focuses on the relationship of imperial centers of thought and the colonies; as much as I find it necessary to include canonical figures and topics, I also include a number of thinkers from the postcolonies — anthropologists and not — in an effort to make evident to students how anthropological theory arises in dialogue with local forms of thought and expertise. Rather than organize the course historically, with theory progressing from Boas to the present, I instead structure the class around current ethnographies to make evident how anthropologists both produce and engage with anthropological — and cultural — theory. For example, I’ve recently begun teaching Elizabeth Povinelli’s Empire of Love as a way to approach ideas about globalization, postcoloniality, and indigenous rights. Alongside Povinelli’s work, we read pieces from Walter Mignolo, Achille Mbembe, Franz Fanon, Dipesh Chakrabarty, Gayatri Spivak, and anthropologists George Marcus, Aiwha Ong, and Anna Tsing. Students are asked to stage debates between anthropologists and their interlocutors, and, to do so, are tasked with uncovering and explaining the theoretical underpinnings to their arguments.

A paragraph like that lets your reader know that you’re willing to tackle a service class, and that you’re able to bend it to your own strengths. Moreover, it also gives your reader a sense of your perspectives as a teacher, which may vary significantly from your presentation of yourself as a researcher. For instance, I don’t think my commitment to global knowledge production is necessarily apparent in my description of my own work (which is largely U.S.-based, and pretty Continental in its theoretical influences). That being said, being honest about my approach might not make me friends among faculty who think that Anthropological Theory begins with Boas and ends with Sahlins…

On the subject of your perspective as a teacher, it’s worth thinking about what 3-4 classes you could offer a department on a two year cycle. Most departments will expect faculty to teach 1-2 service classes each year (or more), but also give you some flexibility about upper level courses, particularly tied to your training and interests. For example, although I’m tasked with teaching Intro to Medical Anthropology every other year (as well as another service class) at UCSC, I also offer at least two classes that are directly keyed to my research. So, I often teach a course entitled The Biology of Everyday Life as well as a class on Medicine and Colonialism. It’s worth including a sentence or two about each of the classes.

In addition to teaching Intro to Cultural Anthropology, Ethnographic Methods, and Anthropological Theory, I am also interested in regularly offering classes related to medical anthropology and science studies. My Intro to Medical Anthropology is structured around four ethnographies, one each on Western biomedicine, Indian Ayurveda, African ‘folk’ medicine, and Traditional Chinese Medicine. My interest in exposing students to these four traditions is to unsettle their ideas about the lack of history of Western medicine and the naturalness of non-Western practices. I find that students often naively assume that non-Western practices are more authentic, and also, paradoxically, acultural. Situating these four traditions alongside one another exposes how each is historical, cultural and influenced by contemporary politics and concerns. I follow some of the concerns presented in this Introduction in Medicine and Colonialism, in which I focus the class on the use of colonies as a space for experimenting with medicine, subjectivity and governance. My Biology of Everyday Life class allows me to teach content related to my research on sleep, but put into a broader theoretical context regarding how basic biological functions — reproduction, eating, defecation, breathing — become the basis for subjection and politics across societies and history. Additionally, I regularly offer topically focused seminars in medical anthropology and science studies; over the last five years, they have focused on ‘risk and insurance,’ ‘chronic illness,’ and ‘the brain.’

If it hasn’t already been covered, it’s also useful to explain how your classrooms are organized and what kinds of expectations you have of students:

My classes are highly regimented, and through a combination of reading questions (that ask students to identify key concepts in the readings and provide examples from other class readings) and reading guides (a set of questions designed to help students identify an author’s thesis, evidence, and theoretical commitments) I help students work through difficult empirical and theoretical texts. Because the courses I teach are often very theoretically focused, I regularly quiz students and rely on extensive exams to assess their knowledge of the course material. Students who take multiple classes with me and excel in them are offered the opportunity to write a research paper instead of taking quizzes and tests, and I ask them to write ethnological papers, relying in part on HRAF. Across my classes, I work to include documentaries, podcasts, and other multimedia learning experiences; between these media exercises and the format of my classes, I am able to engage students from diverse backgrounds and with varied learning styles.

Reading that paragraph makes it apparent that I’ve spent a fair amount of time in the classroom and that I know what my teaching style is. Near the beginning of your teaching career, it’s difficult to be so succinct and honest; instead, it might be best to take a look at syllabuses from faculty you’ve worked with. See what kinds of assignments they use, and, if you can, see how their assignments and classroom policies have changed over time. Often, by the time someone has taught for a decade, their teaching becomes fairly stable — so try and find an early associate or late assistant professor and take a look at their syllabuses for a few years of classes. And, if you can, look at some of their exams and other assignments to get a sense of what they actually ask students to do.

Finally, you should have a paragraph about your research opportunities for students, as well as your mentoring style. For primarily undergraduate institutions, the former is more important; for institutions where you’re be interacting with graduate students, the latter is more important (to the degree that you might cut any discussion of undergrads).

Much of my mentoring at UCSC has been designed around the problems that many students experience, and my own recent memory of being a graduate student. Broadly, I provide students with ongoing, direct intellectual support, as well as professional development opportunities, with the intent being that by the time they have earned their Ph.D. they will have published one or more articles, and they will have begun to work on a variety of individual and collaborative projects. In the category of intellectual support, I offer a monthly reading seminar for my graduate students, wherein we read an article or excerpts from a book of mutual interest, and use this as a centerpiece for our conversation; we then segue into conversations about individual work, and the status of writing projects. Along similar lines, I offer a professionalization seminar that runs fortnightly over the course of the school year, offering from 15 meetings. We cover topics such as writing job letters and preparing curriculum vitae to dealing with problem students and syllabus development, to writing articles and planning publishing trajectories. It’s a demanding seminar, but the students who participate find their anxieties about the transition from student to professional to be much less stressful through my demystification efforts.

Taken together, the document should be 1-2 single spaced pages. If the institution asks for ‘evidence of teaching effectiveness’ or has some other way to ask about teaching evaluations, it’s better to summarize what you have in a page or two (included representative comments from students) than it is to include copies of evaluations (which can vary significantly from institution to institution). Ultimately, it shouldn’t be too long, and, like a job letter, should not overstay its welcome.

Questions, comments, experiences? Post them in the comment section.