Matthew Wolf-Meyer Dissertations, Professionalization

The 5-Page Dissertation

Starting to write a dissertation is a daunting project. I’m all about formal conceits, though, and find that they can be very helpful in making dissertation writing a much more agreeable process. With my own dissertation, I used a method that relied on 5-page, case-oriented sections (which I’ll describe a bit below, and which you can still see the remnants of in the structure and content of The Slumbering Masses; if you feel really daring, you could also look at my actual dissertation). Each chapter of my dissertation was comprised of 5 or more of these 5-page sections, as well as an introduction and conclusion. All in all, my dissertation ended up being comprised of more than 50 of these 5-page sections, which included evidence assembled from fieldnotes, interview transcripts, and archival and textual content.

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Not every section adhered to a strict 5 pages, but my general rule was that if it was less than 5 pages long, then it wasn’t enough to count as a section — so it either needed to be paired with other data, or it needed to be expanded with more data or analysis. If it is longer than 5 pages by more than a couple of pages — i.e. it was closer to 10 pages than 5 — then it would need to be broken into two smaller sections that were clearly argued.

My general writing philosophy is that no one wants to read  about any one thing for more than 5 pages, and even if they do, they forget why they’re reading about it after page 5. So, both for the purpose of keeping people interested in your dissertation, and making sure they know what they’re reading what they’re reading, 5 page sections make sense.

Sections like I’m describing can also be fairly easy and stress-free to write. If, at the beginning of your dissertation writing, you can set aside theoretical concerns and structural conceits, writing up evidence in this 5-page case fashion can go fairly quickly. Yes, you’re deferring the heavy lifting, but it means that by the time you get to the analytic work, you have a significant amount of data, and a clear sense of what’s going into the dissertation (evidence-wise).

There’s also inherent modularity to 5-page sections. That is, if you need to move content from one chapter to another, if it’s in 5-page chunks, it’s relatively easy to relocate, and usually only requires a little rewriting in the section’s introductory and concluding paragraphs (and maybe in some of the analytic sections).

So, how did I (and how might you) structure 5-page sections?

I always tell people who are writing their dissertations to start with the evidence: just start writing up fieldnotes and transcribing interviews, beginning with the stuff that really stands out, and working from there. Don’t worry about why you’re writing this stuff up, just focus on assembling evidence. These nuggets of evidence provide the basis for your 5-page sections. These initial evidence-focused drafts can be quite short, anywhere from 1 page to 3 or 4. If they get longer than that, think about where it might be broken into 2 sections for the purpose of later development.

As you write these small sections, it’s worth marking them with keywords — these can be very straightforward descriptors or theoretical terms — which you can then use to move to the next stage. If you compile all of your sections into one document, it also makes it easy to keyword search for sections that might be associated with one another.

Once you have a significant number of these 5-page sections written (say 20 to begin with), you can start to arrange them into the skeletal framework of chapters based on similarities in themes or content. On first pass, each chapter probably needs 3-4 sections; as you move ahead, you might write new sections to complement the ones you already have, or move sections from one chapter to another. It will also become increasingly clear what other evidence you need to type up, so although you might only start with 20 or so sections written, by the end of the process you’ll have significantly more.

After assembling skeletal chapters, you can begin to write the analytic content for each of the sections and work on tying them together. This is the real difficult part of the process, and nothing makes it easier. But having solid evidence-based sections will ensure that there’s a firm foundation for each of the chapters.

You might also find that you end up with a number of sections that don’t ultimately fit into the dissertation. This isn’t cause for alarm, but instead might provide the basis for future articles or book chapters. Dissertation writing is about creating an archive of content that you can mine over the next five or more years (when the likelihood of new research opportunities is low), so the more you have by the time you finish your dissertation, the better. It doesn’t all need to be in the dissertation though, so don’t worry about producing too much since you’ll inevitably find uses for it.

Any questions about the process? Other suggestions for how to tackle dissertation writing? Desire to read a whole How-To book about the idea of dissertation writing this way and possible strategies? Post everything in the comments.

For another approach, check this out.

Matthew Wolf-Meyer Professionalization, Uncategorized

The Mysterious Teaching Statement, Part 1

This is the first of a two part series on teaching statements. In this entry, I focus on my own expectations as a reader of teaching statements; in a future installment, I’ll present similar expectations from colleagues at other institutions.

My general sense of teaching statements as part of the job application process is that they’re principally used to separate the wheat from the chaff — that is, they’re used to disqualify job seekers on the basis of having little or no actual teaching experience, which can often be seen in teaching statements that include phrases like: ‘I embrace the Socratic method’ or ‘I believe that research papers are important in every class.’ Those are clear red flags that the author of the statement has spent little or no time in a university classroom, and might not be the best person for the job.

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That all being said, I do think there are some key things to cover in a teaching statement, and they are (in no particular order): 1) how you would approach teaching a ‘service’ course, 2) the curriculum that you bring with you (including courses on the books that you’re prepared to teach), 3) examples of your actual classroom practice, and 4) your approach to research or mentoring experiences. I don’t think they necessarily need to appear in that order — it should be organic in its presentation — but as a reader, that’s the stuff I would want to see.

So, to explicate a bit:

Service classes are things like Intro to Your Discipline, Methods, Theory, and maybe Intro to Your Area or Subfield. Every department offers these classes, and they’re often the staples of the curriculum. Seeing that a job applicant has taken the time to think about their approach to one of these classes shows that the applicant has thought about one of the likely courses they’ll be facing in the short term; it also serves as a good way to see what makes a job applicant characteristic in their thought. For example (and please forgive the italics):

I’m committed to teaching Anthropological Theory, which, as I teach it, focuses on the relationship of imperial centers of thought and the colonies; as much as I find it necessary to include canonical figures and topics, I also include a number of thinkers from the postcolonies — anthropologists and not — in an effort to make evident to students how anthropological theory arises in dialogue with local forms of thought and expertise. Rather than organize the course historically, with theory progressing from Boas to the present, I instead structure the class around current ethnographies to make evident how anthropologists both produce and engage with anthropological — and cultural — theory. For example, I’ve recently begun teaching Elizabeth Povinelli’s Empire of Love as a way to approach ideas about globalization, postcoloniality, and indigenous rights. Alongside Povinelli’s work, we read pieces from Walter Mignolo, Achille Mbembe, Franz Fanon, Dipesh Chakrabarty, Gayatri Spivak, and anthropologists George Marcus, Aiwha Ong, and Anna Tsing. Students are asked to stage debates between anthropologists and their interlocutors, and, to do so, are tasked with uncovering and explaining the theoretical underpinnings to their arguments.

A paragraph like that lets your reader know that you’re willing to tackle a service class, and that you’re able to bend it to your own strengths. Moreover, it also gives your reader a sense of your perspectives as a teacher, which may vary significantly from your presentation of yourself as a researcher. For instance, I don’t think my commitment to global knowledge production is necessarily apparent in my description of my own work (which is largely U.S.-based, and pretty Continental in its theoretical influences). That being said, being honest about my approach might not make me friends among faculty who think that Anthropological Theory begins with Boas and ends with Sahlins…

On the subject of your perspective as a teacher, it’s worth thinking about what 3-4 classes you could offer a department on a two year cycle. Most departments will expect faculty to teach 1-2 service classes each year (or more), but also give you some flexibility about upper level courses, particularly tied to your training and interests. For example, although I’m tasked with teaching Intro to Medical Anthropology every other year (as well as another service class) at UCSC, I also offer at least two classes that are directly keyed to my research. So, I often teach a course entitled The Biology of Everyday Life as well as a class on Medicine and Colonialism. It’s worth including a sentence or two about each of the classes.

In addition to teaching Intro to Cultural Anthropology, Ethnographic Methods, and Anthropological Theory, I am also interested in regularly offering classes related to medical anthropology and science studies. My Intro to Medical Anthropology is structured around four ethnographies, one each on Western biomedicine, Indian Ayurveda, African ‘folk’ medicine, and Traditional Chinese Medicine. My interest in exposing students to these four traditions is to unsettle their ideas about the lack of history of Western medicine and the naturalness of non-Western practices. I find that students often naively assume that non-Western practices are more authentic, and also, paradoxically, acultural. Situating these four traditions alongside one another exposes how each is historical, cultural and influenced by contemporary politics and concerns. I follow some of the concerns presented in this Introduction in Medicine and Colonialism, in which I focus the class on the use of colonies as a space for experimenting with medicine, subjectivity and governance. My Biology of Everyday Life class allows me to teach content related to my research on sleep, but put into a broader theoretical context regarding how basic biological functions — reproduction, eating, defecation, breathing — become the basis for subjection and politics across societies and history. Additionally, I regularly offer topically focused seminars in medical anthropology and science studies; over the last five years, they have focused on ‘risk and insurance,’ ‘chronic illness,’ and ‘the brain.’

If it hasn’t already been covered, it’s also useful to explain how your classrooms are organized and what kinds of expectations you have of students:

My classes are highly regimented, and through a combination of reading questions (that ask students to identify key concepts in the readings and provide examples from other class readings) and reading guides (a set of questions designed to help students identify an author’s thesis, evidence, and theoretical commitments) I help students work through difficult empirical and theoretical texts. Because the courses I teach are often very theoretically focused, I regularly quiz students and rely on extensive exams to assess their knowledge of the course material. Students who take multiple classes with me and excel in them are offered the opportunity to write a research paper instead of taking quizzes and tests, and I ask them to write ethnological papers, relying in part on HRAF. Across my classes, I work to include documentaries, podcasts, and other multimedia learning experiences; between these media exercises and the format of my classes, I am able to engage students from diverse backgrounds and with varied learning styles.

Reading that paragraph makes it apparent that I’ve spent a fair amount of time in the classroom and that I know what my teaching style is. Near the beginning of your teaching career, it’s difficult to be so succinct and honest; instead, it might be best to take a look at syllabuses from faculty you’ve worked with. See what kinds of assignments they use, and, if you can, see how their assignments and classroom policies have changed over time. Often, by the time someone has taught for a decade, their teaching becomes fairly stable — so try and find an early associate or late assistant professor and take a look at their syllabuses for a few years of classes. And, if you can, look at some of their exams and other assignments to get a sense of what they actually ask students to do.

Finally, you should have a paragraph about your research opportunities for students, as well as your mentoring style. For primarily undergraduate institutions, the former is more important; for institutions where you’re be interacting with graduate students, the latter is more important (to the degree that you might cut any discussion of undergrads).

Much of my mentoring at UCSC has been designed around the problems that many students experience, and my own recent memory of being a graduate student. Broadly, I provide students with ongoing, direct intellectual support, as well as professional development opportunities, with the intent being that by the time they have earned their Ph.D. they will have published one or more articles, and they will have begun to work on a variety of individual and collaborative projects. In the category of intellectual support, I offer a monthly reading seminar for my graduate students, wherein we read an article or excerpts from a book of mutual interest, and use this as a centerpiece for our conversation; we then segue into conversations about individual work, and the status of writing projects. Along similar lines, I offer a professionalization seminar that runs fortnightly over the course of the school year, offering from 15 meetings. We cover topics such as writing job letters and preparing curriculum vitae to dealing with problem students and syllabus development, to writing articles and planning publishing trajectories. It’s a demanding seminar, but the students who participate find their anxieties about the transition from student to professional to be much less stressful through my demystification efforts.

Taken together, the document should be 1-2 single spaced pages. If the institution asks for ‘evidence of teaching effectiveness’ or has some other way to ask about teaching evaluations, it’s better to summarize what you have in a page or two (included representative comments from students) than it is to include copies of evaluations (which can vary significantly from institution to institution). Ultimately, it shouldn’t be too long, and, like a job letter, should not overstay its welcome.

Questions, comments, experiences? Post them in the comment section.

Matthew Wolf-Meyer Professionalization

Conceptualizing the Second Project

One of the challenges that academic job seekers confront is conceptualizing a second project to engage in after the completion of their dissertations. Some brief description of a second project is always part of job letters, but it’s even more important in conversation with potential colleagues during interviews. Broadly, it seems like they can be reduced to pragmatic and ideal projects. But, in either case, they need to convince your potential colleagues of your intellectual (and work) trajectory.

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Pragmatic projects directly stem from dissertation projects, and consist of work that develops a dissertation project into a marketable book project. Basically, this kind of project is described in terms that convince readers that you have a sense of what it will take for you to get tenure at their institution; it might mean returning to your original fieldsite, some comparative fieldsite (either locally or abroad), or some other kind of research (archival, textual, etc.). I don’t think it’s an admission of inadequacy to suggest that your dissertation project needs more work to be publishable as a book — everyone’s dissertation needs work to be a book. Instead, it makes it apparent to your reader that you know that there’s still work to be done, and that you know what needs to be attended to.

Ideal projects, on the other hand, are the sequels to dissertation projects. Whatever you feel about your dissertation, your ideal second project should build upon it in some fashion and convince your reader that you have some kind of intellectual commitment. At the time I was sending out my first job applications, I was pretty convinced that my second project was going to be about the idea of ‘public health’ as it touched down in postcolonial India and China, especially around ideas about breathing. Because my dissertation was so rooted in the U.S., I really felt the need to work internationally; I also wanted to work on the transmission of particular ideas about the body outside of the U.S. And, most importantly, I wanted to continue working on everyday biology. I abandoned this project as a second project (traipsing to India and China, and developing research partnerships in both places, was too much to ask of myself pre-tenure), but I’ll get around to it eventually… But what it indexed to my readers was my interest in everyday biology and how it gets caught up in medical and scientific thought and practice — it showed my readers that I had a ‘research agenda.’ And that seems to be key in thinking through a second project: what are you planning on working on — in your research, in your teaching — for the next decade, if not your entire career? If you can index it by pairing your current and future projects, it will give your readers and interviewers a clear sense that you have a plan and know what you’re about. Even if there are some bumps in the road.

There are a couple other things to consider as you think about second projects. None of this needs to be covered in a job letter or during an interview, but it is worth keeping in mind as your career develops.

It’s not a contract between you and your potential employer. That is, if you’re hired by an academic institution, you don’t have to produce the second project you said you would. Things come up, both in life and through writing and teaching, and what seemed like a good second project when you were finishing your dissertation may not be quite so compelling a few years later. And, realistically, if you spend time applying for funding for your second project, and no one is coming through with funding, it might be worth abandoning for something more fundable.

Be realistic. Starting a new academic job (tenure track or not) comes with a lot of work commitments — faculty meetings, meetings with students, service, publishing, new course preps, etc. — and having the time to develop and carry out a robust second project can be slight. This can be seen with a lot of more senior academics, who often develop local or historical projects. It can be worth looking around a potential employer to see what, if any, resources or sites might exist that could provide fertile ground for developing a new project.

Other thoughts, experiences or questions? Post them in the comments.